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Fragments of Broken Glass

In Elia Suleiman’s first feature film, Chronicle of a Disappearance (1996), he depicts Palestinians through the theatre of everyday life. He does so by steering the film via fragmented and observational snippets of mundane life in the occupied territories. The seemingly unrelated vignettes, that lack introductions or conclusions, penetrate the livelihood of Palestinians that live …

Farida El-Sayed

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